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【登録タグ CD CDM otetsuCD 全国配信】 前作 本作 次作 濫觴 memento mori 空を泳いだ otetsu 流通 即売 配信 発売 2017年11月12日 2017年11月22日 価格 ￥1,000（税込） ￥900 サークル うさぎまんじゅう CD紹介 otetsu氏 の約2年ぶりとなる新譜。 先行リリースされた「暗澹と空白」に新曲を加えた全7曲を収録。 THE VOC@LOiD M@STER 38（ボーマス38）にてリリース。 KARENTレーベルよりダウンロード販売が行われている。 曲目 memento 枷鎖 暗澹と空白 詩を失った蛙 Laziness ノイド mori リンク twitter KARENT：「memento mori」 iTunes Store コメント アルバム来たーッ！！ -- 名無しさん (2017-11-01 19 18 29) うわーうわーーめっちゃ欲しい！！ -- 名無しさん (2017-11-04 13 57 04) 久々のアルバムだ -- 名無しさん (2017-11-10 13 21 23) ノイド格好いい -- 名無しさん (2018-03-23 20 46 17) 名前 コメント
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コエドビール 埼玉県川越市の、株式会社協同商事が製造するビール。 http //www.coedobrewery.com/ 2018-07-28 毬花 2011-12-15 紅赤 2008-03-22 川越で。 お中元にも！ギフトにも！送料無料のCOEDOビール（コエドビール）【送料無料】COEDO（小江戸・... 価格：2,680円（税込、送料込） 関連項目 2008-03-22 2011年度/食べ物写真 2018年度/食べ物写真 この項目のタグ 2008年 2008年3月 2011年 2011年12月 2011年12月15日 クラフトビール 地ビール 埼玉県 川越市 酒 食べ物 タグ「埼玉県」「食べ物」がついた項目 あずきすくい / コエドビール / しゃくし菜 / 十万石ふくさや / 十万石まんじゅう / 四里餅 / ずりあげうどん / たらし焼き / 東松山のやきとり / みそポテト / 武蔵野うどん / わらじカツ丼 タグ「酒」がついた項目 エチゴビール / オリオンビール / コエドビール / サッポロクラシック / 常陸野ネストビール / 風味爽快ニシテ / ヘリオス酒造 / 箕面ビール / よなよなエール
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エンジン名 Silent Walk FPS Creator リリース日 ? 開発者/元 SilentWorks 公式サイト http //www.silentworks.hu/sw/index.php ジャンル ゲームエンジン 概要 無料のFPSゲームエンジン。※旧有料だったので登録キーを入力する必要があります。 [SILENT WALK FPS CREATOR 2 FULL REGISTERED VERSION IS NOW FREE! CLICK HERE TO GET THE REGISTRATION KEY]と 書いてあるところをクリックすると登録キーをもらえます。 ゲーム一覧 ありません
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作詞：ギガP・れをる 作曲：ギガP・れをる 編曲：ギガP・れをる 歌：GUMI・鏡音リン 翻譯：kyroslee (取用翻譯前請注意首頁的翻譯使用禮節, 並不要拿掉譯者的名字) LUVORATORRRRRY! 掙脫了metaprogramming 「喜歡」之類的是慣例的語句 螺絲釘？螺帽？那麼就是Bad 視線對上你 戰況危險 心跳不斷加速 我要把你得到手啊you know？ 要以美人計將你打倒啊mellow 要只令你一人SICK起來verse KICK！ 吶望向這邊吧Give us kiss！ 以撒下謊言的嘴唇 試着來再進一步騙倒我吧 非你不可之類的 任性話也讓我再說多幾句吧？ 戀愛連勝，百戰磨鍊等 撒謊大叫傾心fall down 你就如往常那樣一臉無辜地望着我 「好的好的」「聽一聽我說話好嗎！？」 不過你那樣做我也不會討厭的呢 因為我已被這突出的你打動內心呢 無法回嘴 實在說不出口！ 對你擺出的憤怒的face是fake的 Wow...yeah...Wow... 再依隨多一點我吧 More More想要得到更多啊 (Love me Love me Love me Do!) (Give me Give me Give me Hug!) 讓我更加困擾吧 Wanna Wanna Be被你苦苦央求啊 (Love me Love me Love me Do!) (Give me Give me Give me Hug!) □Love Me Baby Baby Give Me Very Very 就如連喘息的空閒亦沒有那般隨心去做吧 Beasty Gimmick Gimmick Kock Out Gimmi Gimmi 想要就這般壞掉Kock Down ■Love Me Baby Baby Give Me Very Very 對那彷似無法呼吸的人給予衝擊吧 Beasty Gimmick Gimmick Kock Out Gimmi Gimmi 想要就這般壞掉Kock Down 再聽多一點我的聲音 被你的言語迷惑內心啊Baby 若是被計算好的話就沒意思了 我想要的是只對I(我)一人的「愛」 只會逞強的my mind 其實是察覺到了的吧？my Daring 熱度改變「Why!?」都已經搞不清楚了啊 明明只要能待在你身旁就足夠了 □Love Me Baby Baby Give Me Very Very 就如連喘息的空閒亦沒有那般隨心去做吧 Beasty Gimmick Gimmick Kock Out Gimmi Gimmi 想要就這般壞掉Kock Down ■Love Me Baby Baby Give Me Very Very 對那彷似無法呼吸的人給予衝擊吧 Beasty Gimmick Gimmick Kock Out Gimmi Gimmi 想要就這般壞掉Kock Down 翻譯：唐傘小僧 失控的儀錶 設定好程序 「喜歡」是騙你的 老一套的說辭 螺絲釘？螺帽？那樣一來就Bad啦 視線對上你 戰況危險不利 心跳越發加速 快把我弄到手啊 you know？ 我要用美色來不斷 攻陷你哦甜心 只去猛烈地攻擊你 verse KICK! 喂快看這邊啊 Give us kiss！ 用你謊話連篇的嘴唇 來更猛烈地騙我吧 非你不可這種任性話 讓我多說一些吧 （DANCE!!） 戀愛就要連勝 說什麼身經百戰 這樣大吹大擂 可是會以失敗告終哦 你像往常一樣 滿臉困擾 「好啦好啦」「你到底有沒有在聽啊！？」 但是 即便如此我們也不會怪你 因為我們被 優秀的你射中紅心啦 沒法還嘴 很難說出口！ 給你看發怒的臉其實是偽裝 Wow...yeah...Wow... 更粘我一些吧 More More愈加想要啊 (Love me Love me Love me Do!) (Give me Give me Give me Hug!) 為我更頭疼一些吧 Wanna Wanna Be被你苦苦央求啊 (Love me Love me Love me Do!) (Give me Give me Give me Hug!) Love Me Baby Baby Give Me Very Very 請盡情地愛我讓我連呼吸都顧不得吧 Beasty Gimmick Gimmick Kock Out Gimmi Gimmi 想要就這樣為你淪陷 Kock Down Love Me Baby Baby Give Me Very Very 盡情地攻擊你面前無法呼吸的人吧 Beasty Gimmick Gimmick Kock Out Gimmi Gimmi 想要就這樣為你淪陷 Kock Down 多聽聽我的聲音 用你的話來迷惑我吧 Baby 若是設定好的那就沒意義了 我想要的是只給I（我）的「愛」 總是愛逞強 my mind 其實你都察覺到了吧？ my Daring 熱度發生改變「Why!?」 誰知道啊 我只是想待在你身邊而已 （DANCE!!） Love Me Baby Baby Give Me Very Very 請盡情地愛我讓我連呼吸都顧不得吧 Beasty Gimmick Gimmick Kock Out Gimmi Gimmi 想要就這樣為你淪陷 Kock Down Love Me Baby Baby Give Me Very Very 盡情地攻擊你面前無法呼吸的人吧 Beasty Gimmick Gimmick Kock Out Gimmi Gimmi 想要就這樣為你淪陷 Kock Down
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「DIFFERENT SENSE」(ディファレント・センス)は、DIR EN GREYの楽曲。作詞は京、作曲・編曲はDIR EN GREY。 シングル『DIFFERENT SENSE』の表題曲。 原曲は薫。シングルとアルバム『DUM SPIRO SPERO』に収録されたものとではミックスが異なる。 PV 時折ゾンビのような風貌となるメンバーが登場する。随所にアニメ「魔法少女アイ参」における触手凌辱シーンが挿入されているほか、葛飾北斎による木版画「蛸と海女」が登場するなど、終始触手がフィーチャーされたクリップとなっている。 途中でバックの映像にモザイクがかかり、「R-70」という表示されることについて、ネット上などでは「非実在青少年」の規制を進めた石原慎太郎(同曲リリース当時78歳であった)への皮肉ではないかという推測が行われていたが、真意は明らかになっていない。 監督を務めた近藤廣行は、このクリップについて以下のようにコメントしている。(*1) 「得体の知れないもの」に犯され続ける日本人の今を、B級な手法で歪んだ鏡に映し出したクリップ。 ベクトルや手法は全く異なりますが、「VINUSHKA」のクリップを制作したときと似た思いで作り上げた作品です。 なお、この作品のイメージ映像部分はすべて監督である私の責任でチョイスし挿入したものです。 念のため。 PVスタッフ プロダクション：VISUAL TRAP ディレクター：近藤廣行 プロデューサー：近藤廣行 プロダクションマネージャー：衣川麗、近藤路行 カメラ：江戸洋史 ライティング：平井達也 VE：富澤信義 キャスト：上田ユカリ、安田理英、ゴールデン鈴木、滝田高之、脇本真光 特殊メイク：米塚尚史 ポストプロダクション：VISUAL TRAP CG：佐治英理人 アニメーション：MSピクチャーズ 収録作品 リリース日 作品名 2011年6月22日 DIFFERENT SENSE 2011年8月3日 DUM SPIRO SPERO 2012年6月20日 TOUR2011 AGE QUOD AGIS Vol.1 [Europe Japan] 2012年7月18日 TOUR2011 AGE QUOD AGIS Vol.2 [U.S. Japan] 関連リンク DIFFERENT SENSE | DUM SPIRO SPERO LIMITED SITE VISUALTRAP WORKS DIR EN GREY / DIFFERENT SENSE 名前 コメント
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WORLD APARTMENT HORRORをお気に入りに追加 WORLD APARTMENT HORRORのリンク #bf Amazon.co.jp ウィジェット WORLD APARTMENT HORRORの報道 gnewプラグインエラー「WORLD APARTMENT HORROR」は見つからないか、接続エラーです。 WORLD APARTMENT HORRORとは WORLD APARTMENT HORRORの45%は祝福で出来ています。WORLD APARTMENT HORRORの30%は睡眠薬で出来ています。WORLD APARTMENT HORRORの11%は運で出来ています。WORLD APARTMENT HORRORの5%は蛇の抜け殻で出来ています。WORLD APARTMENT HORRORの3%はツンデレで出来ています。WORLD APARTMENT HORRORの2%は果物で出来ています。WORLD APARTMENT HORRORの2%は大人の都合で出来ています。WORLD APARTMENT HORRORの2%は砂糖で出来ています。 WORLD APARTMENT HORROR＠ウィキペディア WORLD APARTMENT HORROR Amazon.co.jp ウィジェット 掲示板 名前（ＨＮ） カキコミ すべてのコメントを見る ページ先頭へ WORLD APARTMENT HORROR このページについて このページはWORLD APARTMENT HORRORのインターネット上の情報を集めたリンク集のようなものです。ブックマークしておけば、日々更新されるWORLD APARTMENT HORRORに関連する最新情報にアクセスすることができます。 情報収集はプログラムで行っているため、名前が同じであるが異なるカテゴリーの情報が掲載される場合があります。ご了承ください。 リンク先の内容を保証するものではありません。ご自身の責任でクリックしてください。
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Control Panel Reference SynthEyes has the following control panels · Summary Panel · Rotoscope Control Panel · Feature Control Panel · Tracking Control Panel. · Lens Control Panel. · Solver Control Panel. · Coordinate System Control Panel. · 3-D Control Panel. · Lighting Control Panel. · Flex/Curve Control Panel. Select via the control panel selection portion of the main toolbar. The Graph Editor icon appears in the toolbar area to indicate a nominal workflow, but it launches a floating window. Additional panels are described below · Add Many Trackers Dialog · Advanced Features · Clean Up Trackers · Coalesce Nearby Trackers · Curve tracking control · Finalize Trackers · Fine-Tuning Panel · Green-screen control · Hard and Soft Lock Controls · Hold Tracker Preparation Tool · Image Preparation · Spinal Editing Control The shot-setup dialog is described in the sectionOpening the Shot. Spinners SynthEyes uses spinners, the stacked triangles on the right of the following graphic ( ), to permit easy adjustment of numeric fields on the control panels. The spinner control provides the following features · Click either triangle to increase or decrease the value in steps, · Drag within the control to smoothly increase and decrease the value, · Turns red on key frames, · Right-click to remove a key, or if none, to reset to a predefined value, · Shift-drag or -click to change the value much more rapidly, · Control-drag or -click to change the value slowly for fine-tuning. Tool Bar New, Open, Save, Undo, Redo. Buttons. Standard Windows (only). Use the Undo/Redo menu items instead to see what function will be undone or redone. (Control Panel buttons). Changes the active control panel. Forward/Backward (/). Button. Changes the current playback and tracking direction. Reset Time. Button. Resets the timebar so that the entire shot is visible. Fill. Button. The camera viewport is reset so that the entire image becomes visible. Shift-fill sets the zoom to 1 1 horizontally. Viewport Configuration Select. List box. Selects the viewport configuration. Use the viewport manager on the Window menu to modify or add configurations. Camera01. Active camera/object. Click to cycle through the cameras and objects. Play Bar Rewind Button. Rewind back to the beginning of the shot. Back Key Button. Go backwards to the previous key of the selected tracker or object. Frame Number. Numeric Field. Sequential frame number, starting at zero or at 1 if selected on thepreferences. Forward Key Button. Go forward to the next key of the selected tracker or object. To End Button. Go to the last frame of the shot. Frame Backwards. Button. Go backwards one frame. Auto-repeats. Play/Stop/. Button. Begin playing the shot, forwards or backwards, at the rate specified on the View menu. Frame Forward. Button. Go forwards one frame. Auto-repeats. Summary Panel Auto.(the big green one)Run the entire match-move process create features(blips), generate trackers, and solve. If no shot has been set up yet, you will be prompted for that first, so this is truly a one-stop button. See alsoSubmit for Batch. Motion Profile.Select one of several profiles reflecting the kinds of motion the image makes. UseCrash Panfor when the camera spins quickly, for example, to be able to keep up. Or useGentle Motionfor faster processing when the camera/image moves only slightly each frame. Green Screen.Brings up thegreen-screencontrol dialog. Zoom Lens.Check this box if the camera zooms. On Tripod.Check this box if the camera was on a tripod. Hold.Animated Button. Use to create hold regions to handle shots with amix of normal and tripod-modesections. Fine-tune.Performs an extra stage of re-tracking between the initial feature tracking and the solve. Thisfine-tuning passcan improve the sub-pixel stability of the trackers on some shots. Settings.Launches the settings panel for fine-tuning. Run Auto-tracker.Runs the automatic tracking stage, then stops. Solve.Runs the solver. Not solved.This field will show the overall scene error, in horizontal pixels, after solving. Coords（共同作用）.Initiates a mode where 3 trackers can be clicked to define a coordinate system. After the third, you will have the opportunity to re-solve the scene to apply the new settings. Same as *3 on the Coordinate System panel. 3つのトラッカーが座標系を定めるためにクリックすることができるモードを始めます。 第3の後、新しいセッティングを適用するためにシーンを再解析することがあると思います。 座標系パネルの*3と同じです。 Master Solution Reset ().Clear any existing solution points and object paths. Rotoscope Control Panel The roto panel controls the assignment of a shot s blips to cameras or objects. The roto mask can also be written as an alpha channel or RGB image using the image preprocessor. Spline/Object List. An ordered list of splines and the camera or object they are assigned to. The default Spline1 is a rectangle containing the entire image. A feature is automatically assigned to the camera/object of thelastspline in the list that contains the feature. Double-click a spline to rename it as desired. Camera/Object Selector. Drop-down list. Use to set the camera/object of the spline selected in the Spline/Object List. You can also selectGarbageto set the spline as a garbage matte. Show this spline. Checkbox. Turn on and off to show or hide the selected spline. Also see the View/Only Selected Splines menu item. Key all CPs if any. Checkbox. When on, moving any control point will place a key on all control points for that frame. This can help make keyframing more predictable for some splines. Enable. Button. Animatable spline enable. Create Circle. Lets you drag out circular splines. Create Box. Lets you drag out rectangular splines. Magic Wand. Lets you click out arbitrarily-shaped splines with many control points. Delete. Deletes the currently-selected spline. Move Up. Push button. Moves the selected spline up in the Spline/Object List, making it lower priority. Move Down. Push button. Moves the selected spline down in the Spline/Object List, making it higher priority. Shot Alpha Levels. Integer spinner. Sets the number of levels in the alpha channel for the shot. For example, select 2 for an alpha channel containing only 0 or 1(255), which you can then assign to a camera or moving object. Object Alpha Level. Spinner. Sets the alpha level assigned to thecurrentcamera or object. For example, with 2 alpha levels, you might assign level 0 to the camera, and 1 to a moving object. The alpha channel is used to assign a feature only if it is not contained in any of the splines. Import Tracker to CP. Button. When activated, select a tracker then click on a spline control point. The tracker s path will be imported as keys onto the control point. Feature Control Panel Motion Profile.Select one of several profiles reflecting the kinds of motion the image makes. UseCrash Panfor when the camera spins quickly, for example, to be able to keep up. Or useGentle Motionfor faster processing when the camera/image moves only slightly each frame. Clear all blips.Clears the blips from all frames. Use to save disk space after blips have been peeled to trackers. Blips this frame. Push button. Calculates features (blips) for this frame. Blips playback range. Push button. Calculates features for the playback range of frames. Blips all frames. Push button. Calculates features for the entire shot. Displays the frame number while calculating. Once started, can’t be interrupted! Delete. Button. Clears the skip frame channel from this frame to the end of the shot, or the entire shot if Shift is down when clicked. Skip Frame. Checkbox. When set, this frame will be ignored during automatic tracking and solving. Use (sparingly) for occasional bad frames during explosions or actors blocking the entire view. Camera paths are spline interpolated on skipped frames. Advanced. Push button. Brings up a panel with additional control parameters. Link frames. Push button. Blips from each frame in the shot are linked to those on the prior frame (depending on tracking direction). Useful after changes in splines or alpha channels. Peel. Mode button. When on, clicking on a blip adds a matching tracker, which will be utilized by the solving process. Use on needed features that were not selected by the automatic tracking system. Peel All. Push button. Causes all features to be examined and possibly converted to trackers. To Golden. Push button. Marks the currently-selected trackers as “golden,” so that they won’t be deleted by the Delete Leaden button. Delete Leaden. Push button. Deletes all trackers, except those marked as “golden.” All manually-added trackers are automatically golden, plus any automatically-added ones you previously converted to golden. This button lets you strip out automatically-added trackers. Tracking Control Panel The tracker panel has two variations with different sizes for the tracker view area, and slightly different button locations. The wider version gives a better view of the interior of the panel, especially on high-resolution displays. The smaller version is a more compact layout that reduces mouse motion, and because of the reduced size, is better for use on laptops. Select the desired version using theWider tracker-view panelpreference. Tracker Interior View. Shows its interior---the inner box of the tracker.Left Mouse Drag the tracker location.Middle Scroll Advance the current frame, tracking as you go.Right Mouse Add or remove a position key at the current frame. Or, cancel a drag in progress. Create. Mode Button. When turned on, depressing the left mouse button in the camera view creates new trackers. When off, the left mouse button selects and moves trackers. Delete. Button (also Delete key). Deletes the selected tracker. Finish. Button. Brings up the finalize dialog box, allowing final filtering and gap filtering as a tracker is locked down. Lock. Button. Non-animated enable, turn on when tracker is complete; will then be locked. Tracker Type.,,,. Button. Toggles the tracker type among normal match-mode, dark spot, bright spot, or symmetric spot. Direction. Button. Configures the tracker for backwards tracking it will only track when playing or stepping backwards. Enable. Button. Animated control turns tracker on or off. Turn off when tracker gets blocked by some thing, turn back on when it becomes visible again. Contrast. Number-less spinner. Enhances contrast in the Tracker Interior View window. Bright. Number-less spinner. Turns up the Tracker Interior View brightness. Color. Rectangular swatch. Sets the display color of the tracker for the camera, perspective, and 3-D views. Now. Button. Adds a tracker position key at the present location and frame. Right-click to remove a position key. Shift-right-click to truncate, removing all following keys. Key. Spinner tells SynthEyes to automatically add a key after this many frames, to keep the tracker on track. Key Smooth. Spinner. Tracker s path will be smoothed for this many frames before each key, so there is no glitch due to re-setting a key. Name. Edit field. Adjust the tracker s name to describe what it s tracking. Pos. H and V spinners. Tracker s horizontal and vertical position, from –1 to +1. You can delete a key (border is red) by right-clicking. Shift-right-clicking will truncate the tracker after this frame. Size. Size and aspect spinners. Size and aspect ratio (horizontal divided by vertical size) of the interior portion of the tracker. Search. H and V spinners. Horizontal and vertical size of the region (excluding the actual interior) that SynthEyes will search for the tracker around its position in the preceding frame. Preceding implies lower-numbered for forward tracking, higher-numbered for backward tracking. Weight. Spinner. Defaults to 1.0. Multiplier that helps determine the weight given to the 2-D data for each frame from this tracker. Higher values cause a closer match, lower values allow a sloppier match.WARNING This control is for experts and should be used judiciously and infrequently. It is easy to use it to mathematically destabilize the solving process, so that you will not get a valid solution at all. Keep near 1. Also see ZWTs below. Exact. For use after a scene has already been solved set the tracker s 2-D position to the exact re-projected location of the tracker s 3-D position. A quick fix for spurious or missing data points, do not overuse. See the section onfiltering and filling gaps. Note applied to a zero-weighted-tracker, error will not become zero because the ZWT will re-calculate using the new 2-D position, yielding a different 3-D and then 2-D position. F n.nnnhpix.(display field, right of Exact button) Shows the distance, in horizontal pixels, between the 2-D tracker location and the re-projected 3-D tracker location. Valid only if the tracker has been solved. ZWT. When on, the tracker s weight is internally set to zero—it is a zero-weighted-tracker (ZWT), which does not affect the camera or object s path at all. As a consequence, its 3-D position can be continually calculated as you update the 2-D track or change the camera or object path, or field of view. The Weight spinner of a ZWT will be disabled, because the weight is internally forced to zero and special processing engaged. The grayed-out displayed value will be the original weight, which will be restored if ZWT mode is turned off. T n.nnnhpix.(display field, right of ZWT button) Shows the total error, in horizontal pixels, for the solved tracker. This is the same error as from the Coordinate System panel. It updates dynamically during tracking of a zero-weighted tracker. Lens Control Panel Field of View. Spinner. Field of view, in degrees, on this frame. Focal Length. Spinner. Focal length, computed using the current Back Plate Width on Scene Settings. Provided for illustration only. Add/Remove Key., Button. Add or remove a key to the field of view (focal length) track at this frame. Known. Radio Button. Field of view is already known (typically from an earlier run) and is taken from the field of view seed track. May be fixed or zooming. You will be asked if you want to copy the solved FOV track to the seed FOV track—do that if you want to lock down the solved FOV. Fixed, Unknown. Radio Button. Field of view is unknown, but did not zoom during the shot. Fixed, with Estimate. Radio Button. Camera did not zoom, and a reasonable estimate of the field of view is available and has been set into the beginning of the lens seed track. This mode can make solving slightly faster and more robust.Important verify that you know, and have entered, the correct plate size before using any on-setfocal lengthvalues. A correct on-set focal length with an incorrect plate size makes the focal length useless, and this setting harmful. Zooming, Unknown. Radio Button. Field of view zoomed during shot. Lens Distortion. Spinner. Show/change the lens distortion coefficient. Calculate Distortion. Checkbox. When checked, SynthEyes will calculate the lens distortion coefficient. You should have plenty of well-distributed trackers in your shot. Add Line. Checkbox. Adds an alignment line to the image that you can line up with a straight line in the image, adjust the lens distortion to match, and/or use it for tripod or lock-off scene alignment. Kill Line. Checkbox. Removes the selected alignment line (the delete key also does this). Control-click to delete all the alignment lines at once. Axis Type. Drop-down list. Not oriented, if the line is only there for lens distortion determination, parallel to one of the three axes, along one of the three (XYZ) axes, or along one of the three axes, with the length specified by the spinner. Configures the line for alignment. - . Button. Swaps an alignment line end for end. The direction of a line is significant and displayed only for on-axis lines. Length. Spinner. Sets the length of the line to control overall scene sizing during alignment. Only a single line, which must be on-axis, can have a length. Atnnnf.Button. Shows(not set)if no alignment lines have been configured. This button shows the (single) frame on which alignment lines have been defined and alignment will take place; clicking the button takes you to this frame. Set each time you change an alignment line, or right-click the button to set it to the current frame. Align!Button. Aligns the scene to match the alignment lines defined—on the frame given by theAt…button. Other frames are adjusted correspondingly. To sequence through all the possible solutions,control-click this button. Solver Control Panel Go!Button. Starts the solving process, after tracking is complete. Master Reset. Button. Resets all cameras/objects and the trackers on them, though all Disabled camera/objects are left untouched. Control-click to clear the seed path, and optionally the seed FOV (after confirmation). Error. Number display. Root-mean-square error, in horizontal pixels, of all trackers associated with this object or tracker. Seeding Method.Upper drop-down list controlling the way the solver begins its solving process, chosen from the following methods Auto. List Item. Selects the automatic seeding(initial estimation) process, for a camera that physically moves during the shot. Refine. List item. Resumes a previous solving cycle, generally after changes in trackers or coordinate systems. Tripod. List Item. Use when the camera pans, tilts, and zooms, but does not move. Refine Tripod. List item. Resumes a previous solving cycle, but indicates that the camera was mounted on a tripod. Indirect. List Item. Use for camera/objects which will be seeded from links to other camera/objects, for example, a DV shot indirectly seeded from digital camera stills. Individual. List Item. Use for motion capture. The object s trackers are solved individually to determine their path, using the same feature on other “Individual” objects; the corresponding trackers are linked in one direction. Points. List Item. Seed from seed points, set up from the 3-D trackers panel. Use with on-set measurement data, or afterSet Allon the Coordinate Panel. You should still configure coordinate system constraints with this mode some hard locks and/or distance constraints. Path. List Item. Uses the camera/object s seed path as a seed, for example, from a previous solution or a motion-controlled camera. Disabled. List Item. This camera/object is disabled and will not be solved for. Directional Hint. Second drop-down list. Gives a hint to speed the initial estimation process, or to help select the correct solution, or to specify camera timing for “Individual” objects. Chosen from the following for Automatic objects Automatic. List Item. In automatic seeding mode, SynthEyes can be given a hint as to the general direction of motion of the camera to save time. With the automatic button checked, it doesn’t need such a hint. Left. List Item. The camera moved generally to its left. Right. List Item. The camera moved generally to its right. Up. List Item. The camera moved generally upwards. Down. List Item. The camera moved generally downwards. Push In. List Item. The camera moved forward (different than zooming in!). Pull Back. List Item. The camera moved backwards (different than zooming out!). Camera Timing Setting. The following items are displayed when “Individual” is selected as the object solving mode. They actually apply to the entire shot, not just the particular object. Sync Locked. List Item. The shot is either the main timing reference, or is locked to it (ie, gen-locked video camera). Crystal Sync. List Item. The camera has a crystal-controlled frame rate (ie a video camera at exactly 29.97 Hz), but it may be up to a frame out of synchronization because it is not actually locked. Loosely Synced. List item. The camera s frame rate may vary somewhat from nominal, and will be determined relative the reference. Notably, a mechanical film camera. Slow but sure. Checkbox. When checked, SynthEyes looks especially hard (and longer) for the best initial solution. Constrain. Checkbox for experts. When on, constraints set up using the coordinate system panel are applied rigorously, modifying the tracker positions. When off, constraints are used to position, size, and orient the solution, without deforming it. Seealignment vs constraints. Hold.Animated Button. Use to create hold regions to handle shots with amix of normal and tripod-modesections. Begin. Spinner and checkbox. Numeric display shows an initial frame used by SynthEyes during automatic estimation. With the checkbox checked, you can override the begin frame solution. Either manually or automatically, the camera should have panned or tilted only about 30 degrees. If the camera does something wild between the automatically-selected frames, or if their data is particularly unreliable for some reason, you can manually select the frames instead. The selected frame will be selected as you adjust this, and the number of frames in common shown on the status line. End. Spinner and checkbox. Numeric display shows a final frame used by SynthEyes during automatic estimation. With the checkbox checked, you can override the end frame solution. World size. Spinner. Rough estimate of the size of the scene, including the trackers and motion of the camera. Transition Frms. Spinner. When trackers first become usable or are about to become unusable, SynthEyes gradually reduces their impact on the solution, to maintain an undetectable transition. The value specifies how many frames to spread the transition over. Filter Frms. Spinner. Controls post-solving path filtering. If this control is set to 3, say, then each frame s camera position is a (weighted) average of its position within 3 frames earlier and 3 frames later in the sequence. A larger number creates a smoother path, butincreaseserrors. Overall Weight. Spinner. Defaults to 1.0. Multiplier that helps determine the weight given to the data for each frame from this object s trackers. Lower values allow a sloppier match, higher values cause a closer match, for example, on a high-resolution calibration sequence consisting of only a few frames.WARNING This control is for experts and should be used judiciously and infrequently. It is easy to use it to mathematically destabilize the solving process, so that you will not get a valid solution at all. Keep near 1. More. Button. Brings up or takes down the Hard and Soft Lock Controls dialog. Axis Locks. 7 Buttons. When enabled, the corresponding axis of the current camera or object is constrained to match the corresponding value from the seed path. These constraints are enforced either loosely after solving, with Constrain off, or tightly during solving, with Constrain on. See the section onConstraining Camera or Object Position. Animated. Right-click to remove a key on the current frame. L/R. Left/right axis (ie X) F/B. Front/back axis (Y or Z) U/D. Up/down axis (Z in Z-up or Y in Y-up) FOV. Camera field of view (available/relevant only for Zoom cameras) Pan. Pan angle around ground plane Tilt. Tilt angle up or down from ground plane Roll. Roll angle from vertical Never convert to Far.Normally, SynthEyes monitors trackers during 3-D solves, and automatically converts trackers to Far if they are found to be too far away. This strategy backfires if the shot has very little perspective to start with, as most trackers can be converted to far. Use this checkbox if you wish to try obtaining a 3-D solve for your nearly-a-tripod shot. Coordinate System Control Panel Tracker Name. Edit. Shows the name of selected tracker, or change it to describe what it is tracking. Camera/Object. Drop-down list. Shows what object or camera the tracker is associated with; change it to move the tracker to a different object or camera on the same shot (or, you can clone it there for special situations). Entries beginning with asterisk(*) are on a different shot with the same aspect and length; trackers may be moved there, though this may adversely affect constraints, lights, etc. *3. Button. Starts and controls three-point coordinate setup mode. Click it once to begin, then click on origin, on-axis, and on-plane trackers in the camera view, 3-D viewports, or perspective window. The button will sequence through Or, LR, FB, and Pl to indicate which tracker should be clicked next. Click this button to skip from LR (left/right) to FB (front/back), or to skip setting other trackers. After the third tracker, you will have the opportunity to re-solve the scene to apply the new settings. Seed Lock Group X, Y, Z.Buttons. Multi-choice buttons flip between X, X+, X-; Y, Y+, Y-; and Z, Z+,Z- respectively. These buttons control which possible coordinate-system solution is selected when there are several possibilities. Only significant when the tracker is locked on one or two axes. X, Y, Z. Spinners. An initial position used as a guess at the start of solving (if seed checkbox on), and/or a position to which the tracker is locked, depending on the Lock Type list. Seed. Mode button. When on, the X/Y/Z location will be used to help estimate camera/object position at the start of solving, if Points seeding mode is selected. Peg. Mode button. If on, and the Solver panel s Constrain checkbox is on, the tracker will be pegged exactly, as selected by the Lock Type. Otherwise, the solver may modify the constraints to minimize overall error. See documentation for details and limitations. Far. Mode button. Turn on if the tracker is far from the camera. Example If the camera moved 10 feet during the shot, turn on for any point 10,000 feet or more away. Far points are on the horizon, and their distance can not be estimated. This button states yourwish, SynthEyes may solve a tracker as far anyway, if it is determined to have too little perspective. Lock Type. Drop-down list. Has no effect if Unlocked. The other settings tell SynthEyes to force one or more tracker position coordinates to 0 or the corresponding seed axis value. Use to lock the tracker to the origin, the floor, a wall, a known measured position, etc. See the section onLock Mode Details. If you select several trackers, some with targets, some without, this list will be empty—right-click the Target Point button to clear it. Target Point. Button. Use to set up links between trackers. Select one tracker, click the Target Point button to select the target tracker by name. Or, ALT-click (Mac Command-Left-Click) the target tracker in the camera view or 3-D viewport. If the trackers are on the same camera/object, the Distance spinner activates to control the desired distance between the trackers. You can also lock one or more of their coordinates to be identical, forcing them parallel to the same axis or plane. If the trackers are on different camera/objects, you have created a link the two trackers will be forced to the same location during solving. If two trackers track the same feature, but one tracker is on a DV shot, the other on digital camera stills, use the link to make them have the same location. Right-click to remove an existing target tracker. Dist. Spinner. Sets the desired distance between two trackers on the same object. Solved. X, Y, Z numbers. After solving, the final tracker location. Error. Number. After solving, the root-mean-square error between this tracker s predicted and actual positions. If the error exceeds 1 pixel, look for tracking problems using the Tracker Graph window. [FAR]. This will show up after the error value, if the tracker has been solved as far. Set Seed. Button. After solving, sets the computed location up as the seed location for later solver passes using Points mode. All. Button. Sets up all solved trackers as seeds for subsequent passes. Exportable. Checkbox. Uncheck this box to tell savvy export scripts not to export this tracker. For example, exporting to a compositor, you may want only a half dozen of a hundred or two automatically-generated trackers to be exported and create a new layer in the compositor. Non-exportable points are shown in a different color, somewhat closer to that of the background. 3-D Control Panel Creation Mesh Type. Drop-down. Selects the type of object created by the Create Tool. Create Tool. Mode button. Clicking in a 3-D viewport creates the mesh object listed on the creation mesh type list, such as a pyramid or Earthling. Most mesh objects require two drag sequences to set the position, size, and scale. Note that mesh objects are different than objects created with the Shot Menu s Add Moving Object button. Moving objects can have trackers associated with them, but are themselves null objects. Mesh objects have a mesh, but no trackers. Often you will create a moving object and its trackers, then add a mesh object(s) to it after solving to check the track. Object name. Editable drop-down. The name of the object selected in the 3-D or camera viewports. Changeable. Delete. Button. Deletes the selected object. Lock Selection. Mode button. Locks the selection in the 3-D viewport to prevent inadvertent reselection when moving objects. World/Object. Mode button. Switches between the usual world coordinate system, and the object coordinate system where everything else is displayed relative to the current object or camera, as selected by the shot menu. Lets you add a mesh aligned to an object easily. Move Tool. Mode button. Dragging an object in the 3-D viewport moves it. Rotate Tool. Mode button. Dragging an object in the 3-D viewport rotates it about the axis coming up out of the screen. Scale Tool. Mode button. Dragging an object in the 3-D viewport scales it uniformly. Use the spinners to change each axis individually. Make/Remove Key., Button. Adds or removes a key at the current frame for the currently-selected object. Show/Hide. Button. Show or hide the selected mesh object. Object color. Color Swatch. Object color, click to change. X/Y/Z Values. Spinners. Display X, Y, or Z position, rotation or scale values, depending on the currently-selected tool. Size. Spinner. This is an overall size spinner, use it when the Scale Tool is selected to change all three axis scales in lockstep. Whole. Button. When moving a solved object, normally it moves only for the current frame, allowing you to tweak particular frames. If you turn on Whole, moving the object moves the entire path, so you can adjust your coordinate system without using locks. If you do this, you should set up some locks subsequently and switch to Point or Path seeding, or you will have to readjust the path again if you re-solve.Hint Whole mode has some rules to decide whether or not to affect meshes. To force it to include all meshes in the action, turn onWhole affects mesheson the 3-D viewport and perspective window s right-click menu. Blast. Button. Writes the entire solved history onto the object s seed path, so it can be used for path seeding mode. Reset. Button. Clears the object s solved path, exposing the seed path. Cast Shadows. (Mesh) Object should cast a shadow in the perspective window. Catch Shadows. (Mesh) Object should catch shadows in the perspective window. Back Faces. Draw the both sides of faces, not only the front. Invert Normals. Make the mesh normals point the other way from their imported values. Lighting Control Panel New Light. Button. Click to create a new light in the scene. Delete Light. Button. Delete the light in the selected-light drop-down list. Selected Light. Drop-down list. Shows the select light, and lets you change its name, or select a different one. Far-away light. When checked, light is a distant, directional, light. When off, light is a nearby spotlight or omnidirectional(point) light. Compute over frames This, All, Lock. In the (normal) This mode, the light s position is computed for each frame independently. In the All or Lock mode, the light s position is averaged over all the frames in the sequence. In the All mode, this calculation is performed repeatedly for “live updates.” In the Lock mode, the calculation occurs only when clicking the Lock button. New Ray. Button. Creates a new ray on the selected light. Delete Ray. Button. Delete the selected ray. Previous Ray ( ). Button. Switch to the previous lower-numbered ray on the selected light. Ray Number. Text field. Shows something like 1/3 to indicate ray 1 of 3 for this light. Next Ray ( ). Button. Switch to the next higher ray on the selected light. Selected Ray Source. Mode button. When lit up, click a tracker in the camera view or any 3-D view to mark it as one point on the ray. Target. Mode button. When lit up, click a tracker in the camera view or any 3-D view to mark it as one point on the ray. If the source and target trackers are the same, it is a reflected-highlight tracking setup, and the Target button will show “(highlight).” For highlight tracking to be functional, there must be a mesh object for the tracker to reflect from. Distance. Spinner. When only a single ray to a nearby light is available, use this spinner to adjust the distance to the light. Leave at zero the rest of the time. Flex/Curve Control Panel Theflex/curvecontrol panel handles both object types, which are used to determine the 3-D position/shape of a curve in 3-D, even if it has no discernable point features. If you select a curve, the parameters of its parent flex (if any) will be shown in the flex section of the dialog. New Flex. Creates and selects a new flex. Left-click successively in a 3-D view or the perspective view to lay down a series of control points. Right-click to end. Delete Flex. Deletes the selected flex (even if it was a curve that was initially clicked). Flex Name List. Lists all the flexes in the scene, allowing you to select a flex, or change its name. Moving Object List. If the flex is parented to a moving object, it is shown here. Normally, “(world)” will be listed. Show this 3-D flex. Controls whether the flex is seen in the viewports or not. Clear. Clears any existing 3-D solution for the flex, so that the flex s initial seed control points may be seen and changed. Solve. Solves for the 3-D position and shape of the flex. The control points disappear, and the solved shape becomes visible. All. Causes all the flexes to be solved simultaneously. Pixel error. Root-mean-square (~average) error in the solved flex, in horizontal pixels. Count. The number of points that will be solved for along the length of the flex. Stiffness. Controls the relative importance of keeping the flex stiff and straight versus reproducing each detail in the curves. Stretch. Relative importance of (not) being stretchy. Endiness. (yes, made this up) Relative importance of exactly meeting the end-point specification. New Curve. Begins creating a new curve—click on a series of points in the camera view. Delete. Deletes the curve. Curve NameList.Shows the currently-selected curves name among a list of all the curves attached to the current flex, or all the unconnected curves if this one is not connected. Parent Flex List.Shows the parent flex of this curve, among all of the flexes. Show.Controls whether or not the curve is shown in the viewport. Enable.Animated checkbox indicating whether the curve should be enabled or not on the current frame. For example, turn it off after the curve goes off-screen, or if the curve is occluded by something that prevents its correct position from being determined. Key all.When on, changing one control point will add a key on all of them. Rough.Select several trackers, turn this button on, then click a curve to use the trackers to roughly position the curve throughout the length of the shot. Truncate.Kills all the keys off the tracker from the current frame to the end of the shot. Tune.Snaps the curve exactly onto the edge underneath it, on the current frame. All.Brings up theCurve Tracking Controldialog, which allows this curve, or all the curves, to be tracked throughout an entire range of frames.
https://w.atwiki.jp/autumnaki/pages/15.html
1.15事件とは 1.15事件とは2012年1月15日に秋の延長枠で行われた「15勝RTA枠」とその後の「雑談枠」等で起こった事件 秋の行動がまたまた騒ぎを呼び、認知されるようになった事件でもある。 ・事件の内容 既に先に挙げた別の生放送主の企画する大会への参加、投稿した対戦動画の炎上を受けて、今回のRTAに際して秋が 184コメントを一切見ないという184(匿名)強制解除を枠の詳細に明記して始められた。 ↓ 立ち見Bまで枠の見物者が出る状況の中、立ち見A、立ち見Bは秋のかつての行動や応対に不満を持ち大炎上、 その勢いは秋の常連が多くいるアリーナ(無論秋はこちらのコメントを重視して見ている)にすら飛び火し、既に出だしから波乱の予感であった。 ↓ 生放送が半分くらいまで進んだところで秋のPCの検索履歴に「Torrent」の文字が浮かび上がる。TorrentとはBitTorrentというソフトウェアの略称で、 これはフリーソフトなどのソフトをダウンロードするものであるが、違法ダウンロード(いわゆる割れ)をする時にも使用されることが多く、物議を醸した。 ↓ 秋がPC内でプログラム検索をかけ、TorrentがPC内にないことを放送内で告げる。しかし発覚から時間がかかったこと等もあり、以降本人の発言もないまま この疑惑は不透明なまま終了する ↓ 生放送の後半では、以前から疑惑のあった神速マッスグマについて言及される。神速マッスグマとは、ポケモンボックス(ゲームキューブで発売されたソフト)において ポケモンを100体預けたときに貰えるジグザグマを進化させたものである。性格すら固定されておらず、 厳選難易度の困難さゆえに、高個体のマッスグマが不自然だったとも言われる。 ↓ これに対して秋は枠の終了した後の雑談枠で「たくさんのマッスグマの一部であり厳選の結果である」と主張し、実際に10数体の神速ジグザグマを見せた。 しかし該当マッスグマ個体に関してはそこまでの言及がなく、この疑惑も結局不透明なままに終わった。 ↓ これと前後して、多くのリスナーが数々の問題視される部分が残ったタイムシフトを残すように要求する。 秋は主張を二転三転させるも、結局はタイムシフトを残すことを決意。 ↓ 6時間のRTA生放送を経たものの、結局秋は30戦11勝19敗の結果に終わり、RTAをはたすことができなかった。秋の対戦運びにも問題があったが、 RTAが完了しなかった原因として枠内における２つの疑惑を秋のアンチがつきつけたことによる妨害行為という主張がどこからともなくあがった。 RTAを完了できなかった苛立ちと、払拭されきらなかった疑惑をこの機に消したいのではないか？と色々と憶測があがった。 ↓ やはりいろいろと苛立った部分があったのか秋はアンチがいるならskypeで堂々と通話してくるように要求。 当然秋の生放送のもとで行われるため、言うまでもなく秋を批判するユーザーを枠で晒しあげることが目的であったが、 外部配信サイトの軽い誘導やtwitter、コメントなどを経て、3名の生放送主がこれに名乗りを上げ、とりあえず1名が秋にskype凸をしかける。 ↓ 秋と凸者である生放送主がskypeで通話するが、もはや日本語が通じているのかすら怪しい段階でまともに通話することができずにいた。 秋からすれば自分の生放送内で行われているものであるからボロを出さないよう終始雑談の空気を出すようにつとめ、 相手からの批判をのらりくらりとスルーし続けた。このため凸者が議題を出せずに苦戦する。 ↓ いつまでたってもラチがあかないため、残りの2人の生放送主も秋に凸をしかけ、秋と3人の生放送主による会議通話の体となった。 この際、1人の生放送主が会話を成立させるため文字によるskypeチャットでの誘導や対話を実行した。 文字であれば会話内容を振り返ることもできるし、建設的な対話が可能であると考えたらしい。 ↓ skypeチャットによる文字での会話は、秋を大いに苦しめることとなった。秋にすればいつまでも適当に雑談して終了にしたかったのだろうが、 文字である以上秋の議題逸らしや関係のない雑談が後から明確にバレてしまうため、skype凸者たちはそのたびに話題修正し、 秋のこれまでの行動応対における非に対する釈明や、枠内でおきた２つの疑惑に対する釈明を求めた。 ↓ 対応に窮した秋は凸者3名のskypeIDをブロックした。この一部始終が凸者側の放送や秋の放送で流れることとなり、リスナーが一気に不満を噴出させる。 秋はその後泣きじゃくったまま放送を終了させ、twitterでも文字数ギリギリの呟きを３つも行って彼女を肯定するリスナーに擁護されるに至った。 ↓ このまま事態が終わるかと思われた。最初は威勢よくskype通話を求めていた秋が、終盤では泣きじゃくって無理やり放送を終わらせるに至ったのだから、 秋の威勢が空回りして意気消沈しただろう、と大方のユーザーは思っていたのである。 ところが、秋のコミュニティ掲示板で信者ともいえる熱心なリスナーがこんなコメントを残したことでさらに騒がれるようになる。 832 ： ななしのよっしん ：2012/01/16(月) 01 34 05 ID TW1VN54EXn 秋の完全勝利すぎてメシマズ 何にもない所から火をつけるのが、れいかの仕事だろ 踊らされて、かつて見ないほどの大敗北杉 ↓ このコメントについては多くの物議がなされるに至った。このコメントで明記されている「れいか」とは、skypeチャットでの会議を提案して、 会話がまるで成り立っていなかったskype通話をリスナーにわかりやすいようにした生放送主であったため、ほとんどのリスナーが疑問を持ったが、 あるユーザーの情報によって、これが秋の自作自演であったことが判明した。 12：秋 ：2010/01/15(金) 14 16 11 ID TW1VN54EXn 552 ： 秋 ：2011/07/22(金) 00 18 18 ID TW1VN54EXn ↓ しかもユーザーの情報により秋の自作自演が発覚した後も、秋が自作自演を続けたことが問題視される。 結局一部のリスナーがコミュ掲示板による自演を明記したことでようやく秋が気づき、掲示板の該当部分を全て削除した。 ↓ 1月19日に事件後最初の生放送を1枠だけ行うが、マイクの調子が悪くチャット形式の放送となった。 事件後初の放送ということもありその発言に注目が集まり立ち見Bまで枠の見物者が出る状況の中、 先に発覚したコミュ掲示板においての自演については自分の掲示板を使って遊んでいただけと後釣り宣言とも取れるコメントを残すだけに留まる。 ↓ その後は他生主主催大会への参加意欲を表明したり先のスカイプ凸をされた際に連呼した「見ます！」を持ちネタとして使用する等、 謝罪どころかさらにアンチ側の神経を逆なでするだけの放送内容となってしまった。 そして今に至るのである。
https://w.atwiki.jp/sun-wiki/pages/219.html
アカウントの取得 [#rfb4e3ea] ゲームアカウントの登録 [#a2dcce13] クライアントのダウンロードとその後 [#r8557c43] その他 [#q2704be1] 日本人 [#sb9fd0d2] 身分証 [#j7159f97] パスワード [#tc816514] ウィンドウモード [#jfa996bd] サーバーメンテナンス [#g949aa10] コミュニケーション（挨拶） [#qae1b182] コメント [#k7e05b8d] アカウントの取得 ここから https //member.soulultimatenation.com.tw/Account/ attachref 帳號・・・ID 中文姓名・・・氏名 #26289;稱・・・ニックネーム 身分證・・・ここの方法4から取得（通る物が出るまで何度か生成し直す。） http //www.25175.com/200606/korea_card/idcard_20061010_v15/ 手機・・・携帯番号（数字10桁） 電子信箱・・・メールアドレス 密碼・・・パスワード 密碼確認・・・パスワード確認 地址・・・郵便番号と住所（適当） 生日・・・生年月日 ゲームアカウントの登録 ここで戦魂を選択 https //ssl.wpark.com.tw/gameAccount/ アカウントとパスワードを設定し、メールにて認証 attachref attachref attachref メール中のURL（上側）をクリックする。メーラーによってはURLが2行以上に分割されている場合があり、ハングルサイトに飛ばされたりする。この場合は手動でURL文字列を連結する。 attachref クライアントのダウンロードとその後 こちらからダウンロード http //www.soulultimatenation.com.tw/PDS/DownLoad/ 昨日小築を選ぶと速い模様 attachref 昨日小築を選んだ場合 [OK]をクリックする。 attachref ここをクリックする。 attachref 右のリンクのいずれかをクリックするとTorrentのファイルが落ちてくる。 attachref 本体ダウンロードの為のFlashGetのダウンロードのリンクもあるようだ。（「FlashGet網際快車」のところ、未確認） インストール後、AppLocaleをつかい文字化けを解消して起動する。 attachref attachref attachref attachref その他 日本人 多いのは史克瓦茲Channel1とのこと attachref 身分証 こちらの辞書で｢身分｣を調べて http //www.excite.co.jp/dictionary/ 「身分(分は中国語) 生成｣でググれば出てきます。 追記：アカウント登録出来ない場合、身分証生成サイトをいくつか試してみるといいかもです。 また、自分がやった感じだと、串は通さなくても大丈夫です。 パスワード パスワードはと画面上のキーボードと自前のキーボードを使い分ける事で入力できます。 例えばパスワードの4桁目までは自前のキーボード、5桁以降は画面上のキーボードという風に ウィンドウモード 台湾蔵にはウィンドウモードの選択肢がないので3dsetup.iniの[Screen]セクションのFullScreen=1を0と書き換える。 [Screen] Renderer=0 FullScreen=0 LockSizeMove=1 （以下略） サーバーメンテナンス 毎週木曜日9 00〜12 00（日本時間：10 00〜13 00） コミュニケーション（挨拶） 安or安安 = こんにちわー 89 = いきまー 賀 = おめー 恭喜 = おめー 謝 = ありー 88 = おつー、ばいばーい 恩 = 了解(｀▽´ )ゝ wcー下 = トイレいてきま コメント 日本版のランチャーが向こうのになっちゃうんですが対処方法を何方か教えてください -- ランチャーメッセージが一時的に変わっただけだと思います。日本版がオープンしてアプデト鯖に繋げれば直るかも知れません -- Advanced WindowsCare V2 Personal とか使ってJunk Fileを掃除したら元に戻った。(OSはXPで実験済み -- 起動したら「非最新版本」とかでて確認を押すと消えちゃうんですけどどうすればいいですか？ダウンロードしたばっかりなのに・・・Ｔ Ｔ -- あら 今日の夕方6時から新クライアントのダウンロードが始まるので、それを入れないと駄目みたいですよ。 -- ありがとうございます！感謝です＞＜ -- あら SUN_Setup_080320.exeダウンしてもエラーでますね〜。何か方法があるのでしょうか？ -- ↑ダウンできたんですか？torrentファイルだったのでbitcomet使用で、現在0.8％完了・・・(´･ω･`) -- 昨日小築を選んだところ「請使用FrashGet下載」とでてできなかった。 -- んー 昨日小築を選んだところ「請使用FrashGet下載」とでてできなかった。 -- んー すいません、上に書いてましたね＾＾； -- んー 名前 コメント